Women’s Rights In Islamic Marriage

Women’s Rights In Islamic Marriage – By going back to the roots of Islam and understanding how society finds reasons to treat women in Islamic sources, this thought-provoking and impactful film is a great source for debunking. myths about women and Islam. Leading Muslim feminist scholars and journalists, including Asra Q. Nomani, Mona Eltahawy, Azadeh Moaveni, Dr. Amina Wadud, PhD. Khaled Abou El Fadl and Asma Gull Hasan, describe how different interpretations of the Qur’an from the outset have led to very different translations, with enormous impact on women living in different Muslim societies across the world. around the world. The film alternates between Muhammad’s story and the issues facing Muslim women today – from wearing the veil to praying in mosques and attitudes towards domestic violence and murder. for honor. It also examines how feminism works in modern Islam. RIGHT AND WRONG is important for courses in Islamic and Middle Eastern Studies, Comparative Religions, Women’s Studies, and more.

“[A] well-produced documentary about women in Islam, past and present. …Very valuable as a unique teaching tool for women’s studies and studies courses. Near Eastern studies, as well as for documentary courses.” Lynne McVeigh, NYU Tisch Associate Professor at the School of the Arts

Women’s Rights In Islamic Marriage

Corine Huq is an independent filmmaker living in New York City. Immediately after graduating from NYU’s Tisch School of the Arts with a degree in film, she worked in various television productions in and around New York City. She then focused on editing, directing, and producing various educational videos for NYU and Scholastic. She has directed two short films, one of which won an award at the 2005 New York International Film Festival. Rights & False was her first feature-length documentary. (3/12)

Rights & Wrongs The Story Of Women In Islam

Returning to Iran after a 20-year stay, filmmaker Persheng Sadegh-Vaziri presents these intimate and thought-provoking portraits of five ordinary Iranian women: a nurse, a journalist, a farmer rice, a religious university student and a piano teacher. In the context of Islam, revolution and war, they offer perspectives on the veil, the relationship of Iranian women with the West, and the lasting impact of the 1979 revolution on the status of women. women in their country. What emerges is a picture of Iran that defies easy categorization, a nation that is constantly changing at a unique moment in history, still struggling with the lingering effects of the war. Iran-Iraq but ready for a new future. Women Like America is a critical and timely look at contemporary Iran, offering surprising insights into the changing role of women in the Middle East from perspectives that rarely appear in the mainstream. international topic.

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In the popular Western imagination, the Muslim woman wearing the veil (or headscarf) is a symbol of Islamic oppression. But what does it mean for women’s freedom when a democracy bans the veil? In this provocative documentary, filmmaker Diana Ferrero outlines the struggles of two women – one in France, the other in Iran – to express themselves freely. In 2004, the French government passed an “anti-veil law”, banning Muslim girls from wearing the hijab in schools. Samah, a 14-year-old Parisian girl who decided to wear a veil, explains how the law has affected her sense of identity – and not made her feel free. “Who said freedom means nothing on top?” she asked. In Tehran, half a world away, “K” is forced by the Islamic regime to wear a headscarf that she has defied in her own way – with a transparent scarf hanging loosely over her hair and confronts the arrested. Danger. As Ferrero filmed her at home, K, relaxed in a tank top and shorts, said, “They call me Muslim… but do you think I’m Muslim? What do you think of that?” a Muslim?” Well photographed and well produced, They Call Me a Muslim emphasizes that women still have to fight for control of their own bodies – not only under theocracies but also in democracies secular where there is increasing discrimination and sexism towards Muslims.

On March 18, 2005, Amina Wadud shocked the Muslim world by leading a Friday prayer service for both men and women in New York. AMINA WADUD’s noble struggle is a compelling and powerful portrait of this African-American Muslim woman who soon found herself the subject of much debate and legal discourse. Islamic. She disregarded 1,400 years of Islamic tradition and her actions brought global awareness of the fight for women’s rights in Islam, but also brought her violence and threats. death threat. Filmmaker Safari follows women’s rights activist and researcher around the world as she quietly but firmly explains her analysis of Islam in classrooms, at conferences, at home and in the hair salon. Vadud explains how Islam appeals to the African-American community with its promise of justice. She links the fight for racial justice to the Muslim need for equality. Entirely engaging, the film offers a rare insight into the strong connection between Islam, women’s rights, and racial justice.

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In this thought-provoking documentary, five extraordinary women discuss their careers, ambitions, and women’s rights and status in Muslim countries. Bosnian Alma Suljevic risked her life every day to clear landmines near Sarajevo, a deadly war ruin, then sold minefield land in European art galleries so she could continue her work. . Eren Keskin is a longtime human rights activist and greenhouse-trained lawyer working to change Turkey’s longstanding legal practices on violence against women. Veteran filmmaker Rakshan Bani-Ehmad lives by the mantra that art must “see, observe and discover”, often pushing Iran’s censors to its limits. Beset by conflict since childhood, young Afghan writer Moshagan Saadat writes brave, poignant and haunting poems. Famous Pakistani dancer Nahid Siddiqui was once forced to leave her hometown when she was banned from working, but she continues to hone, update and teach her art form. Spanish filmmaker Alba Sotorra hitchhiked from Barcelona to Pakistan to film EXTINCT VIEWS, a self-portrait of hope, heroism and pride that challenges traditional Western stereotypes. West about women in the Muslim world.

Marriage Under Muslim Law

In this thought-provoking documentary, Faced and Faceless Women explores the relationship between Islam and secularism in present-day Turkey, where millions of women, many with educated and urban, wearing a headscarf or headscarf. In her investigation, Naccache, a filmmaker born in Turkey and raised in Lebanon, draws on historical films and personal interviews with Turkish women from a variety of professions. together. These include the owner of a gallery dedicated to Islamic art; a leftist journalist whose political beliefs are rooted in her religion; a young intellectual who insists on a spirituality not based on a single religion; and a film critic for a popular online magazine. and columnists. Their extensive interviews analyze the context and impact of the controversial hijab ban on universities and civil servants, shedding more light on the integration of Turkish women into the country. Islamic culture and modern way of life, as well as their far-reaching achievements and future priorities.

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Can Islamic values ​​coexist with complete equality with women? VOICES UNVEILED examines this trendy question through portraits of three women who continue on the life and career paths they have chosen in today’s Turkey. In a secular, democratic country, where religious fundamentalism has re-emerged as a political force, where patriarchal values ​​still prevail, despite all societal expectations. Renowned textile artist Belkis Belpinar, whose work combines science and the kelim tradition, defied her father’s wishes for her to study engineering. Dancer and psychologist Banu Yucelar defies her family’s opposition to modern dance, which is seen by many as a form of prostitution. Women’s rights activist Nur Bakata Mardin helps women in underserved communities where stereotypes are prevalent to form small business cooperatives. Like its subject matter, VOICES UNVEILED highlights its in-depth portrait with insights from other Turks and lively discussions, including intergenerational debate. about the veil. This film is an invaluable companion for Turkish women, it offers different gender roles suitable for modern lifestyle and Islamic culture.

“Morgan City Mosque” is about a woman’s campaign against radical changes at her West Virginia mosque, which has shaken the community and raised questions. across the heart of Muslim Americans. When former Wall Street Journal reporter and single mother Asra Q. Nomani returned from her job in Pakistan to her hometown mosque in Morgantown, West Virginia, she thought she saw signs of trouble: exclusion of women, intolerance of pagans and suspicion of religion. faith. West. She finds these signs particularly alarming, and determined to stop the “slippery slope” she maintains from Muslim intolerance to violence, she starts a campaign dragged the use of mosques into the 21st century, creating tension between tradition and modernity. tough fight. Normani’s belligerent tactics alienated potential allies inside the church, leaving many wondering who would best be branded as “extremists”. Director Brittany Huckabee takes a balanced look at the tensions that divide this community, while exploring both sides from a neutral perspective. This Emmy-nominated gripping drama is not only

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